The Critical-Cultural Studies side of the Master of Arts program is led by a small, but dynamic faculty who work closely with graduate students as they develop their degree plans and theses. Seminar courses provide students with unique opportunities to engage in critical discussion and cultural debate with faculty and peers. Students in this area examine media culture in relation to topics such as cultural history, ideology, race, class, gender, sexuality, audiences/fandom, technocultures, social media, globalization, convergence, and production cultures. The Critical-Cultural studies area is designed for students who wish to develop their critical thinking and writing skills with a view to either proceeding to a PhD program or increasing their professional skills.
The area values and encourages an interdisciplinary approach in course selection. As applicable, additional faculty are drawn from outside departments such as English, History, and Women's Studies, as well as from other local media studies programs to serve on students' theses projects.
RTVF 5120: Critical/Cultural Media Theory
RTVF 5121: New Media Theory
GRADUATE LEVEL ELECTIVES (subject to availability - see course catalog for descriptions and exact course offerings)
- Post-War European Film
- The Films of Alfred Hitchcock
- History of the Documentary
- African-American Film
- Youth Media
- Research Methods in Media Arts
- Gender and Sexuality in the Horror Film
- Media Ethics
- Community Media Education
- Media/Genre Authors
- Anthropological Film
- Affect/Emotion in Film
- Video Game History
- Video Game Perspectives
- U.S. Television History
- Digital Activism
- Cinema/Video Verite
- Lesbian, Gay, and Queer Film and Video
- Gender & Digital Cultures
- Special Topics with Instructor Approval
THESIS OR EXAM OPTION
The Master of Arts degree offers the option of a written thesis or a comprehensive exam. We strongly encourage students to pursue the thesis option if they are interested in applying to Ph.D. programs.
Thesis Option: Of the required minimum of 30 graduate hours, 6 hours must be thesis credit. The student must have departmental approval for this option, including the approval of a Media Arts graduate faculty thesis advisor. The student must successfully complete and orally defend a written thesis.
Comprehensive Exam Option: The student must take a minimum of 30 graduate hours and successfully complete a comprehensive examination. Students are eligible to complete the exam once they have a degree plan approved and have completed 21 hours of graduate course work.
RECENT STUDENT THESES
Thesis works completed by graduate students in Critical-Cultural Studies traverse issues of history, representation, multiculturalism, film theory, television studies, and digitial media studies. Recent completed theses include works such as:
- "According to Their Wills and Pleasures:" The Sexual Stereotyping of Mormon Men in American Film and Television - Travis Sutton
- 24, Lost and Six Feet Under: Post-Traumatic Television in the Post 9/11 Era - Tonya Anderson
- A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television - Leila M. Stone
- The Limitations and Stereotypes Placed on Female Hero Representations in Video Games - Linet L. Cisneros
- True Bromance: Representation of Masculinity and Heteronormative Dominance in the Bromantic Comedy - David Hartwell
- Framing Femininity As Insanity: Representations Of Mental Illness In Women In Post-Classical Hollywood - Kelly Kretschmar
- Dangerous, Desperate and Homosexual: Cinematic Representations of the Male Prostitute as Fallen Angels - John Phillip Lay
- Provincial Heroism: Hunanese Audiences and Sylvester Stallone - Jun Kuang
- "They Don't Make 'Em Like They Used To:" Cultural Hegemony and the Representation of White Masculinity in Recent U.S. Cinema - Matthew Schneider